Sherlock Holmes is one of the most popular and enduring characters in all of English literature. In addition to the 60 original stories and novels written by Sir Arthur Conan Doyle, there are dozens and dozens of additional takes on the Sherlock mythos by successful authors–among them Laurie R. King, Michael Chabon, Nicholas Meyer, and Carole Nelson Douglas–with further adventures, alternative perspectives, and interesting new interpretations. More than 200 movies and TV shows (with 75 different actors portraying Holmes), radio episodes, and so on. To write that Holmes is beloved by many is a serious understatement.
The vast majority of the presentations, across all media, preserve the Victorian setting of the original stories, or at most advance the setting and the age of the detective. This Fall brought something new, a thoroughly modernized Sherlock Holmes who texts, blogs, and hacks into other people’s computers. And even up against modern CSI techniques, he still makes those around him look dim with his brilliant observations, deductions, and leaps of logic. (Some police call him “Freak.” To his face.)
