Just published, [The Prophecy Con](/link/audible-loch-the-prophecy-con) is the sequel to my favorite book last year, [The Palace Job](/link/audible-loch-the-palace-job).
My favorite audiobook I listened to all last year was The Palace Job by Patrick Weekes. I wrote more about it in Recommended: The Palace Job, but the summary is it was fun, funny, and clever, with characters I just loved.
The sequel is out today. The Prophecy Con returns to the same world and characters, and makes it officially a series, “Rogues of the Republic”.
I haven’t listened to it yet, though I did buy and download it about 15 minutes after the audiobook was released. Instead, I started The Palace Job … for the third time. Did I mention I like this book? I’ll listen to The Prophecy Con this weekend, with the first book fresh in my head.
Just a quick note to congratulate the winners for this year’s Audie awards, the Grammy Awards of the audiobook world. (Yes, I know there is an actual Grammy for audiobooks, but the Audie is the real award to win.)
The unabridged audiobook is provided as MP3 files, which you can simply drag into iTunes, and then sync to your iPod or iPhone for listening. You can change their Media Kind to have iTunes treat them as audiobook tracks, or with a little more work, you can convert them to a single audiobook file.
Note: If you don’t already have one, you will need to create an account on Tantor Media’s site, which will sign you up for their newsletter where, among other things, you can learn about future free downloads.
The Audible mobile app for iPhone and iPod Touch is a terrific way to browse, download, and listen to your Audible audiobooks. If you are an Audible.com customer, add this free app to your handheld device.
If you search the App Store for “audiobook” you turn up hundreds of results, most of which are crap. (More on that in a future post.) Separating the wheat from the chaff can be a challenge. Aldo on Audiobooks will only bother to review worthwhile apps.
My favorite source for audiobooks is Audible.com, an online service offering over 85,000 digital downloads of audiobooks and other spoken word content (more here). This summer Audible released the Audible audio player app, dedicated to playing Audible content and interacting with the Audible.com service directly, without requiring the use of a computer or iTunes. The app is free, but requires the use of an Audible.com account.
The short version of this review is, if you’re an Audible customer with an iOS device, getting this free app is a no-brainer. It’s intuitive and optimized for audiobooks, it plays in the background just like the built-in iPod app, it adds useful features not in the built-in iPod app, and its design is clean, simple, tasteful. I’ve used it exclusively for audiobooks for the last four months, and it’s a great replacement for the iPod app. I plan to continue using it indefinitely. I still use the iPod app for podcasts and non-Audible audiobooks, and regularly miss Audible app features.
From now through Halloween, you can download a free audiobook of Mary Shelley’s Frankenstein read by Simon Vance. Vance is an extraordinary narrator, winner of many awards, and certainly a Golden Voice. This is a high-quality production.
The unabridged audiobook is provided as MP3 files, which you can simply drag into iTunes, and then sync to your iPod or iPhone for listening. You can change their Media Kind to have iTunes treat them as audiobook tracks, or with a little more work, you can convert them to a single audiobook file.
Note: If you don’t already have one, you will need to create an account on Tantor Media’s site, which will sign you up for their newsletter where, among other things, you can learn about future free downloads.
Recorded Books is offering a dozen audiobook apps in the iTunes Store, audiobooks built into an app for playing them on an iPhone or iPod Touch. The app is intended to make acquiring and listening to an audiobook easier and less frustrating. In some ways it succeeds.
If you search the App Store for “audiobook” you turn up hundreds of results, most of which are crap. (More on that in a future post.) Separating the wheat from the chaff can be a challenge. Aldo on Audiobooks will only bother to review worthwhile apps.
In my review of the Bookmark iPhone app, I noted that for the long tracks of an audiobook, the standard controls of the iPod app, optimized for 3 minute music tracks, can be frustrating. Bookmark is one solution to this issue. Another comes in the form of self-contained audiobook apps from Recorded Books.
These audiobook apps are found in the App Store section of iTunes, rather than in the Audiobooks section. You are buying not merely the audio portion of the audiobook, but also an app that will play it back. Indeed, you can only play the audiobook from its dedicated app; you cannot use the iPod app, or Bookmark, etc.
These apps are the iPhone equivalent of the Playaway format: player and book baked into a single device. The idea is to make an audiobook as easy to use as a regular book — a single (physical, for the Playaway) object that you pick up and take with you, no other items needed. The self-contained audiobook app makes the experience of buying an audiobook, getting it onto your iPhone, and playing it simple and straightforward. In theory.
Bookmark is an alternative audio player app for the iPhone and iPod Touch. It is specifically for use with audiobooks, based on the insight that the iPod is great for music, but not very well-suited to audiobooks. Bookmark was designed around the central concept that, when listening to a long audiobook, you want different controls for moving around in the much longer tracks, and tools for marking positions in the recording that go beyond just saving where you left off.
If you search the App Store for “audiobook” you turn up hundreds of results, most of which are crap. (More on that in a future post.) Separating the wheat from the chaff can be a challenge. Aldo on Audiobooks will only bother to review worthwhile apps.
Bookmark is an alternative audio player dedicated to audiobooks, based on the insight that the iPhone is great for music, but not very well-suited to audiobooks. Bookmark was designed around the central concept that, when listening to a long audiobook, you want different controls for moving around in the much longer tracks, and tools for marking positions in the recording that go beyond just saving where you left off. If you’ve ever listened to a long audiobook track on an iPod, and especially if you’ve ever thought “I want to go back and hear that part again,” you know what this is all about.
Using Bookmark is simple. Start the app, choose a book from the list of titles (Bookmark filters out everything but audiobooks), and press play. In this regard, Bookmark is much like the built-in iPod app. The basics of playback are pretty obvious, with standard controls for play/pause, volume control, and track progress.
Once your iPod or iPhone recognizes a track as an audiobook (see FAQ #1 for details), you have the ability to speed up or slow down the playback of the track. For people looking to power through a book (say, while driving to your book club), speeding up playback can be useful. For language learning, slowing down the playback can help to hear nuances of pronunciation and emphasis.
But the options provided by the iPod is not that great, just “Slower”, “Normal”, and “Faster”. Not a lot of control, and the speed change isn’t huge, in either direction. (And I find that it adds a nearly imperceptible but irritating clipping to speech). If you want to make an even bigger speed change, you need to turn to third-party tools that can process the tracks, and then sync the processed versions to your iPod or iPhone.
The New York Times has an article about the Alesis TapeLink, which is a tape deck you can attach to your computer via USB, and use to convert analog cassette tapes to a digital format you can use with iTunes, or any other media player.
I haven’t tried it, and at $299 list price, I’m not likely to, but if you have a large investment in audiobooks on cassette tapes, it might be a worthwhile investment for getting those books into a format that will last beyond the lifetime of the cassette medium.
In a recent post I recommended a few tools for importing audiobooks, which work around some of the more tedious aspects of importing audiobooks using iTunes. Last week I came across another interesting tool for Windows users, which might also be useful:
I have not yet tested it with importing a book, but it looks like it gets a couple of things really right, namely allowing you to set the meta data for the tracks manually, overriding what comes in from the Gracenote CDDB lookup that iTunes does automatically, and which is often inaccurate. Bogus meta data is one of the top causes for problems that people have with sort and playback order of audiobook tracks, and if this tool can reduce or eliminate that, it’s going to be very useful indeed.
I’m a bit late to have stumbled across this information, but it would appear that the final novel in the Harry Potter series will not be coming to the iTunes Store:
*HEARING HARRY* You may have the seen the avalanche of press coverage about the new “Harry Potter and the Deathly Hallows” hardcover selling 8.3 million U.S. copies in its first 24 hours of release. […] More than 225,000 audiobook cassette or compact disc copies were [also] sold the first weekend. Those were the best two-day results in audiobook history, according to Random House. […] What’s not available is an iTunes download for your iPod. The first six Potter books are available through iTunes at prices ranging from $33 to $50. But a Random House spokeswoman said no iTunes date has been announced for “Deathly Hallows” and that she has no other information about download plans.
So if you’re still waiting, I suggest running out to Costco and getting the CD version, which had the lowest price I’ve seen by $10, and then buying a copy of Audiobook Builder to make importing it into iTunes more pleasurable. The two together will still cost less than Deathly Hallows would have cost through the iTunes Store, and you’ll be able to use Audiobook Builder on other books in the future.