Brilliance Bits: Weekly podcast on audiobooks

Brilliance Audio is a major publisher of audiobooks, and they’ve recently (re)started a weekly podcast called Brilliance Bits. The 12-15 minute episodes vary in type of content; some are interviews with authors, while others are excerpts from recent audiobooks. Four episodes so far.

It remains to be seen how interesting these will be over time, but the first three I listened to were decent. Worth checking out if you’re interested in extra information about authors and so on, and the excerpts are a good way to sample new books you might not otherwise check out.

Harry Potter and the Deathly Hallows

I missed the announcement last week of the title for the final book in the Harry Potter series and, since others might have also, thought I’d pass the news along:

Harry Potter and the Deathly Hallows

I am so looking forward to this book. A month before it gets released I am going to re-listen to all six of the prior books, to have the whole series fresh in my head. It’s very exciting to know that it must be getting closer!

Get Free Audiobooks from Brilliance Audio

I posted previously about BMW’s free audiobooks, a collection of four short stories, professionally read and available in MP3 format. I’ve only listened to one completely so far, and while the product placement was, shall we say, distinct, the story and the reader were both very good.

I recently stumbled across another source for high-quality spoken word fiction. THRILLER is a free podcast from Brilliance Audio, which offers five of the “thriller” short stories from a collection of 30, all by well-known, best-selling authors. Here the financial motive is more obvious; if you like the five freebies, you might buy the whole collection.

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How to Improve Audiobooks

Kirk McElhearn, a noted author on topics like the iPod, iTunes, podcasting and the Mac, has written a short article Digital Audiobooks: Taking Them to the Next Generation, musing about what should be done to audiobooks to take advantage of the possibilities offered by the iPod and other digital players. In particular, he calls out the need for better chapter markers, and better handling of material which cannot be read, or is often skipped, like illustrations and endnotes.

I’ve had similar frustrations.

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How to Join Together Audiobook Tracks

Update: This post contains useful information about the Join Together utility, but has been superseded by a new article that details additional options, for both Mac and Windows users. See How to join multiple tracks into a single audiobook file for the new information.

One of the top two questions I get asked about audiobooks by visitors to Aldo on Audiobooks is, after importing a bunch of audiobook CDs, is there any way to join the many tracks together to get a single track for the audiobook?

For a while I simply shrugged, and said I hadn’t found a good tool. Then I found a good tool, and added it to the FAQ, but didn’t advertise it too heavily because it was only available for Mac users. But with the latest release the tool has gotten so good, I feel the need to share and promote it. (Windows users, I am sorry, but I haven’t found anything for you yet.)

Doug Adams runs a terrific site called Doug’s AppleScripts for iTunes. Now on its fifth revision, his Join Together tool has evolved from a basic AppleScript into a stand-alone application which gives you a terrific interface for combining tracks and adding the right metadata such as title and author, along with options to convert to different formats, and even add chapter marks to the resulting merged track:

!/images/audiobooks/join-together_v5.png(Join Together 5.0 user interface)!:http://www.dougscripts.com/itunes/scripts/ss.php?sp=jointogether

It’s truly an outstanding piece of work. If you’re importing audiobooks on a Mac, get it now. And if you use it and like it, be sure to thank Doug with a donation!

Get Free Audiobooks From BMW

BMW is offering four short stories in audio format at the new BMW Audio Books web site:

BMW, in conjunction with Random House, brings you BMW Audio Books, a unique series of specially- commissioned short stories showcasing the work of some of the finest contemporary writing talent. Each gripping audio book is yours to download for free.

While there is some “product placement” for BMW, the stories are high quality efforts by accomplished authors. The stories average about 50 minutes, and the narration is professional. The books are free in cost (but see below), and are also in MP3 format, meaning you can play them just about anywhere. I’m sure BMW hopes you’ll do it in the cockpit of a new car from their favorite manufacturer, but it’ll work with your iPod on Muni or the bus, too. Just download, and drag the downloaded files into the iTunes Library window.

To download you need to give BMW an email address. It can be a bogus address (there’s no verification), but from the text, if you give them a real address, you’ll be notified when new audio content is published to the site. (I gave them a real address.)

Microsoft Packaging Parody Video

OK, lots of people are pointing to this “parody” video, Microsoft Redesigns the iPod Package, but since it involves the iPod, I thought I’d call a little more attention to it.

OK, lots of people are pointing to this “parody” video, Microsoft Redesigns the iPod Package, but since it involves the iPod, I thought I’d call a little more attention to it.

!/images/ipod/ms-ipod-pro-packaging.png(Microsoft Redesigns the iPod Package)!:http://youtube.com/watch?v=UADizYtTrAI

It’s funny because it’s true, and because the music is perfect. But it’s also interesting because it perfectly illustrates the differences between the Apple and Microsoft design aesthetics — and I’m not talking about packaging. The iPod is so well done not because it’s had so many features added to it, but because it has had so many taken away. The saying “Less is more” is no less true for being cliché.

Which iPod for Audiobooks?

I’ve just published a ridiculously long explanation of why the iPod Nano is the best playback device for audiobooks. If you’re interested, here’s the article:

“Which iPod Should I Buy?”:/audiobooks/ipod-recommendations/

I’ve just published in Aldo on Audiobooks a ridiculously long explanation of why the iPod Nano is the best playback device for audiobooks. If you’re interested, here’s the article:

Which iPod Should I Buy?

I am frequently asked, “Which audio player should I buy to use with my audiobooks?” At first I would reply with a great deal of information, most of which is completely irrelevant to the question. I’ve come to realize that the answer is quite simple. You only have to make one decision…

iPod 101

There’s not much about audiobooks (except how to buy them in the iTMS), but Apple’s new “iPod 101”:http://www.apple.com/support/ipod101/ is likely to be an extremely useful resource to all the many visitors who are coming here after getting an iPod for Xmas.

There’s not much about audiobooks (except how to buy them in the iTMS), but Apple’s new iPod 101 is likely to be an extremely useful resource to all the many visitors who are coming here after getting an iPod for Xmas.

Do check it out, and then come back to Aldo on Audiobooks to start on iPod 102, all audiobooks, all the time.

Announcing Aldo on Audiobooks

When I posted my instructions for importing audiobooks into iTunes and the iPod, it quickly became the single most popular post on this site, both in page views and in comments. I followed it up with a companion piece, covering the differences for MP3 CD audiobooks, and that quickly became the 2nd most popular page on the site. After weeks of on-and-off-again writing, I am replacing those posts with a whole new section of Aldoblog: Aldo on Audiobooks. Please check it out.

When I posted my instructions for importing audiobooks into iTunes and the iPod, it quickly became the single most popular post on this site, both in page views and in comments. I followed it up with a companion piece, covering the differences for MP3 CD audiobooks, and that quickly became the 2nd most popular page on the site.

I also ended up answering a lot of questions in the comments to those two posts, trying to make the instructions more clear, as well as covering special cases which occurred for some people. From the number of questions, it was clear to me that there are a lot of people looking for help in getting their audiobooks onto their iPod. But my answers, while useful, were hard to find, because there was no organization except chronological in the comments. I decided it was time to rethink keeping that information in a weblog format.

Well, after weeks of on-and-off-again writing, I am finally ready to launch a whole new section of Aldoblog, Aldo on Audiobooks. This collection of information represents a complete reorganization and rewrite of all of the information I’ve posted here previously covering audiobooks on iTunes and the iPod, along with all-new information covering recommendations for what audiobooks to get, and where you can find the best places to get them.

This new section entirely replaces the earlier posts; I’ll be going back and amending them to note that fact. I’m also planning a number of additions to the section, which I hope to post in the run-up to the holidays, in time to help folks who get brand new ipods as gifts.

So, please, go on in and give the new stuff a look. Currently there’s no way to comment on the pages themselves, but I’d love feedback, either as comments on this post, or via email — my contact information is in the sidebar of every page on this site.

Importing MP3 audiobooks into iTunes

Our preferred method for obtaining audiobooks is from Audible.com. Second is from the public library. Third is buying them on MP3 CDs.

Note: These instructions have been superceded by a new version available in the Aldo on Audiobooks section of this site. Use that version instead of this page.

Our preferred method for obtaining audiobooks is from Audible.com, as part of our monthly subscription. For about $11 each, we receive an electronic-only version of a book, broken in to manageable chunks of 5-6 hours long each. The files arrive pre-encoded in a format which is bookmarkable in iTunes and on an iPod, and have all appropriate meta-data attached. The subscription format is both cost-effective and highly usable. Audible.com’s major liability is the selection; while there are thousands of books from which to choose, if you get interested in an author who has been writing for a while, chances are good Audible.com won’t have the older books, at least not yet.

The next best method for getting audiobooks is to borrow them on Audio CD from the local public library. While the procedure for importing them into iTunes is laborious, the price is right. This is an ideal way to experiment with authors you don’t know, to find books worth paying for. However, like Audible.com, the selection can be limited.

So, what do you do when you want a book that’s not available from either method?

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I Dream of Harry Bosch

I’ve written how Rochelle and I listen to audio books on our iPods. It’s by far the best way we’ve found to fill commute and other dead time, and I frankly barely use my iPod for music; probably 95% of the time, it’s on for audio books. And one character rises above them all: Harry Bosch.

I’ve written how Rochelle and I listen to audio books on our iPods. It’s by far the best way we’ve found to fill commute and other dead time, and I frankly barely use my iPod for music; probably 95% of the time, it’s on for audio books.

The novel that got me well and truly hooked was Lost Light by Michael Connelly. It was one of the highest rated unabridged books on ::audibletl(“000”, “Audible.com”):: in 2004, and Rochelle picked it out on a whim. Mystery genre, highly rated by other listeners, a good narrator on the sample provided. Nothing more complicated than that.

We listened to it on a drive back from LA, and were gripped. When we got home, we dragged our crap into the house, and got immediately into bed with the book playing over the stereo to finish it. It was superb, and remains my favorite audio book.

The best news was that it was the ninth book in an 11-book (and continuing) series about LA homicide detective Harry Bosch. We’ve since acquired all of the other Harry Bosch novels which are available in unabridged format on Audible.com (about half of the total books written)…and all the rest on MP3 CD (I’ll write more about those soon).

Every time I listen to a Harry Bosch novel, especially the ones narrated by Len Cariou, I have Harry Bosch dreams, and can hear the narrator’s voice in my head for weeks. Highly, highly recommended.